Один из лучших фильмов, виденных мной.
Болезненный, трогательный до трепета в прохладной точке между ребрами, ироничный, наивный, романтичный. Гениальная, как всегда у Кеслёвского, история...
Я абсолютно очарована угловато-неуклюжим, нелепым, одиноким и прекрасным Томеком и горько-циничной (когда "цинизм от страдания", по Розанову), проницательной Магдой.
Отметила про себя условность названия, фразу из "Декалога": Магда и Томек в браке не состоят; соответственно, строго говоря, прелюбодействовать не могут.
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Krótki film o milosci (1988)
The ending of A Short Film About Love is completely different from the one of Decalogue VI. The television version ends on an ironic, almost bitter note. Kieslowski created the cinema ending at the request of Szapolowska who suggested that a more optimistic, even happier ending than the one in Kieslowski and Piesiewicz's original script. The ending they came up with approaches the trancendental heights of the conclusions to The Double Life of Veronique and Blue.
The ending of A Short Film About Love is completely different from the one of Decalogue VI. The television version ends on an ironic, almost bitter note. Kieslowski created the cinema ending at the request of Szapolowska who suggested that a more optimistic, even happier ending than the one in Kieslowski and Piesiewicz's original script. The ending they came up with approaches the trancendental heights of the conclusions to The Double Life of Veronique and Blue.
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A Short Film About Love exists in two versions. In its first incarnation, as Decalogue VI, it ends bleakly. In its longer version, here, this tragic epilogue is excised, and, for characters who have impersonally harmed each other, ends with a final air of hope...
A Short Film About Love exists in two versions. In its first incarnation, as Decalogue VI, it ends bleakly. In its longer version, here, this tragic epilogue is excised, and, for characters who have impersonally harmed each other, ends with a final air of hope...
